Exhibitions and Events-News- CAFA Art Museum

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: 广角°青年实验项目空间 | “玉·见广角——钱亮玉质媒材艺术研究展”即将启幕

2024-09-08

广角°青年实验项目空间主办中央美术学院美术馆“广角°青年实验项目空间”于2022年初启动首期，我馆秉承推动中央美术学院青年教师在策展与创作方面多维探索的理念，使美术馆二层半的独立空间，成为青年教师创作研展、展览策划的一块实验田。目前已完成三期方案的征集、评选（现有十八个展览方案入选）。玉·见广角——钱亮玉质媒材艺术研究展展览时间：2024年9月10日—2024年10月7日展览地点：中央美术学院美术馆2层C展厅开幕时间：2024年9月14日13:30开幕地点：中央美术学院美术馆2层C展厅>>>>>“广角°青年实验项目空间”第二期第六个展览：“玉·见广角——钱亮玉质媒材艺术研究展”将于9月10日在中央美术学院美术馆2层C展厅开展。本次展览为中央美术学院城市设计学院副教授钱亮的个人作品展。展览由著名美术史论家、《中国雕塑》执行主编宋伟光教授担任学术主持，中央美术学院副研究员曾小凤担任策展人。展览试图把富于历史和文化意义的“玉”，引入广角空间，结合钱亮以玉镯边角料为主要媒材创作的作品，可以说是由广角而遇边角，又从边角中见新视角。借助对玉材的琢磨构造，钱亮用作品串联起遇玉、礼玉、琢玉乃至最后放空治愈的空间逻辑关系，并借此展开对历史文化、社会生活、科学技术等方面的不同维度的探索与思考。展览开幕式将于2024年9月14日（周六）下午13:30于中央美术学院美术馆2层C展厅举办。钱亮的作品看似很好读，他的雕塑有一种简明、平铺直叙的生活气质，像是我们生活中不经意就能够看到的事物，经他的手，一木一石在自然而然中生发了人情、人性和人格，让我们似乎感受到了平常事物中的美感和诗意。但，这只是表象。作品的“不经意”实则是钱亮的有意而为，我们的眼之所见一旦进入艺术家的观察、感受和审美，便有了似曾相识、熟悉而又陌生的样子。在艺术创作中，这种“不经意”之中潜藏的“有意”，具有可贵的美学动因，它体现的是钱亮对雕塑艺术的本体、材料、观念和功能的时代思考。玉石是钱亮近十年来做作品的主要材料，他对玉材的思考和创作，从最初的把玩、物非物、应物造型，到自觉以一种媒介再造的当代视野，研究玉石材料作为中国语言、中国方式的表现空间。这是一个艺术家从关注材料、形式上的感官愉悦，到向内在的文化、身份、归属、自我意识等方面的不断探求，从追求好看、好玩，到重视心理和文化碰撞交融的需求和感受，这正是当代雕塑从原物置入迈向观念、文化和精神型的体现。《叠翠1#》玉镯边角料、螺栓，36×18×67cm，2022年《叠翠系列之岁寒三友》玉镯边角料、螺栓，尺寸可变，2023年《叠翠7#》玉镯边角料、螺栓，23×20×62cm，2023年展览的作品，围绕钱亮的新作《叠翠》展开，玉镯边角料大大小小的孔洞和太湖石形成一种同构关系，展现出一种具有中国文化精神和审美意蕴的圆缺感。钱亮用金属螺栓把废弃的玉镯边角料紧固在一起形成叠山叠石，同时，暴露在外的金属螺栓，又给人一种现代的机械感、运动感。这是一种既融又变的创作理念，通过“叠”的视觉方式，展现了一种“惜物尽用”的造物思想和东方美学精神。《不确定的未来》玉镯，尺寸可变，2024年《不确定的未来》将成品的玉镯嵌入美术馆展厅墙面，一个个半圆的玉镯安装在壁面上，有深有浅、有宽有窄、层叠向上，它让人联想到攀岩，光影和玉石诱人的光泽交相辉映，墙根处还散落着一些摔碎的玉镯，这是一个充满了挑战和不确定性的环境，预示着一次震撼心灵的探险之旅。钱亮用碎玉镯做的这件作品，其实放大了我们每个人生命之路中的相聚和别离，出走和回归，失去和得到，那种“不确定性”总是在有意与无意之间。《和再生之环》玉镯边角料、螺栓，尺寸可变，2024年《和光同尘》玉粉，尺寸可变，2024年《再生之环》和《和光同尘》以一隐一显、一明一暗、一体一用、一音一形的方式，讲述着玉雕更富生命力和延展性的故事……《琵琶行》玉珠，40×40×50cm，2019年《琵琶行》（局部）《百家姓系列》玉、墨，45×45×5cm每件，2021年《寓德于玉》玉镯边角料，尺寸可变，2024年《玉石·遇时》玉器，尺寸可变，2015年《我与你同在》玉，15×6×2cm，2021年玉，对于钱亮来说，不单是做雕塑的一种材料，还是儿时的记忆、家乡的历史文化、家庭的温度和那潜移默化的、与岁月一起沉淀下来的某种使命。以“玉”为媒介，进入当代雕塑语境并对其文化根性进行反刍和探寻，“见”是遇见、也是看见，见随万物，产生对物的观察、认识和理解，它作为一种方法论将所见之物升华为一种艺术表达的主题和内容。这种东方式的“见”之道，指向了“玉”这一同时拥有器和道双重身份的“物”的无限可能性。我想，这也是钱亮用“玉·见”创作，继而以“玉·见”为名推动玉雕进行当代性转化的重要内涵。联系当代雕塑尤其是当代艺术的文化语境，玉雕的创作在本质上体现的是从一块物质之石到文化之石的生成过程，经过艺术家的加工，它得以成为一个同时拥有“器”（工艺）和“道”（文化）双重身份的“物”。如果沿着玉雕“器以载道”“器道合一”的审美心理去实践雕塑，而且要走出自己的艺术道路，是一件极不容易的事。雕塑，归根结底是一个制造“物”的过程。钱亮的智慧之处，在于他能够逆向地从玉雕“不雕”、“造物”的角度去开拓创作路径。当他将日常生活的美学作为玉雕创作的一个新生长点时，生活中那些不太引人注意的细节、那些习以为常而被忽视的东西，有了和人不期而遇、耳目一新之感，呈现出一种包含生活经验积淀和生命体味的诗性之美。>>>>>艺术家简介钱亮，艺术学博士，中央美术学院城市设计学院副教授、硕士研究生导师，拉合尔教育大学客座教授、博士研究生导师，中国民间文艺家协会中国非遗艺术设计研究院副秘书长，中国轻工珠宝首饰中心专家委员会委员，中国美术家协会会员，《当代工艺》副主编，国家社科基金艺术学项目《当代中国玉雕艺术创造性转化与创新性发展研究》（已结项）主要课题组成员，第十七届神工奖大赛评委，福州市雕刻艺术学会副会长。参加国内外展览活动百余次，曾获国家艺术基金青年艺术创作人才资助项目、“中国姿态·第三届中国雕塑大展”中国雕塑青年新锐奖、《雕塑》杂志2022年度泛雕塑艺术优秀奖，部分作品被土耳其伊斯坦布尔市政府、上海市普陀区人民政府、铜陵市人民政府、衡水市人民政府、中国美术馆、长春世界雕塑公园雕塑艺术馆、山东美术馆、河南艺术中心、成都和合之道国际艺术公园等政府、艺术机构及个人收藏，陆续策划四届“玉·见”系列玉质媒介艺术展，出版专著《起承转合：中国传统玉器与当代雕塑》，编著《玉·见迭变：中国当代玉质媒介艺术展作品文集》，在《美术研究》《艺术评论》《文艺论坛》等刊物发表文论 20 余篇。策展人简介曾小凤，艺术学博士，中央美术学院副研究员，硕士研究生导师，任职于国家主题性美术创作研究中心，主要从事中国现当代美术与批评史、国家主题性美术创作研究。在国家级核心期刊发表学术论文三十余篇，论文获首届王朝闻美术学论文奖（2020），连续两年入选中国美协“全国美术高峰论坛”（2020、2021）获最高奖项入会资格，北京市文联“北京文艺评论年度推优活动”优秀长评（2023）。个人独立主持国家社科基金艺术学项目《新中国革命历史画的创作生产研究》课题、北京市文联基础理论课题项目《中国现代美术批评的思潮与运动研究》课题、中央美术学院自主科研项目等，参与国家社科基金艺术学重大项目、教育部哲学社科研究项目、文旅部全国美术馆馆藏精品集油画卷编选项目等。担任《20世纪中国美术批评文选》（2017年中国文艺评论基地资助项目）、《共和国美术记忆》（中央宣传部2019年主题出版重点出版物）等美术史编著副主编，著有《先锋的寓言——“美术革命”与中国现代美术批评的发生》。 >>>>>玉·见广角——钱亮玉质媒材艺术研究展展览时间：2024年9月10日—10月7日展览地点：中央美术学院美术馆2层C展厅展览工作组学术主持: 宋伟光艺术家: 钱亮策展人: 曾小凤策展助理: 康悦付廷栋展览协调: 李捷设计统筹: 纪玉洁展览设计: 付廷栋主编 / 何一沙责编 /杜隐珠
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: CAFAM展览预告 | “从来风俗亦有诗”即将开幕

2024-09-07

从来风俗亦有诗——馆藏作品中的古今人物风貌展览时间：2024年9月10日—10月8日展览地点：中央美术学院美术馆3层A展厅开幕时间：2024年9月10日下午3点开幕地点：中央美术学院美术馆3层A展厅开幕主题讲座：从来风俗亦有诗主讲人：黄小峰（中央美术学院人文学院院长、展览学术顾问）讲座时间：2024年9月10日下午4点讲座地点：中央美术学院美术馆学术报告厅2024年全国美术馆馆藏精品展出季活动，共评选出30个项目纳入《2024年全国美术馆馆藏精品展出季活动目录》。中央美术学院美术馆策划的“从来风俗亦有诗——馆藏作品中的古今人物风貌”荣幸入选。作为一种独特的艺术形式，古代风俗画不仅具有“风化幽微”的教化功能，还通过生动的视觉图景展现了各时代的社会风貌和文化特征。今天，随着摄影与影像技术的普及，现代艺术家们以现实主义的视角和浪漫主义的情怀同样捕捉着当下的瞬间，借助镜头的视野与感光的成像，定格事件，渲染时代。尽管这些表现手法跨越数个世纪，但它们在审美特性和精神内核上却始终如一。本次展览将古代风俗画与现代影像并置，旨在通过现代作品的视角，引导观众更深刻地理解古代风俗画中的人民性与诗意情怀。展览分为“颂太平景观”和“捕寻常一瞬”两个板块，展示了社会礼仪与日常生活中的艺术表达。艺术家们通过宏观图景与微观细节的不同处理方式，探索了这两类作品在画面表现和情感传递上的共性。这其中，现代作品如同一束锥光，照亮了传统风俗画中的诗意，投射出不同时代中国人民积极生活的身影。展览将持续到10月8日。部分参展作品| 第一板块 |颂太平景观仇英（款）《岁朝图》（卷）绢本设色明中央美术学院美术馆藏倪端《汴河奇观》（卷）/局部绢本设色明中央美术学院美术馆藏沈嘉禾《前门摄影长卷》/局部摄影 1984年首都图书馆藏缪晓春《余》摄影 2007年中央美术学院美术馆藏刘松年（款）《豳风七月》（卷）/局部绢本设色宋北京画院藏| 第二板块 |捕寻常一瞬罗聘《人物》（扇面）纸本设色清中央美术学院美术馆藏詹巩《尧民击壤图》（册）/之一纸本设色清中央美术学院美术馆藏阮义忠《“人与土地”系列，屏东县牡丹乡旭海》摄影 1986年中央美术学院美术馆藏钱慧安《人物故事》（页）纸本水墨清中央美术学院美术馆藏许培武《一个潮汕家族近一个世纪的跨洋经历》摄影 2016年广州美术学院美术馆藏从来风俗亦有诗——馆藏作品中的古今人物风貌主办：中央美术学院美术馆支持：北京画院、首都图书馆、中国美术学院美术馆、广州美术学院美术馆赞助：020ART、北京鑫河艺博文化有限公司、北京飞行鱼文化发展有限公司、北京百展文化科技有限公司展览时间：2024年9月10日—10月8日展览地点：中央美术学院美术馆3层A展厅展览总监：靳军、韩文超展览统筹：王春辰、高高学术顾问：黄小峰策展人：刘希言、李垚辰策展助理：王若冰、陈冠石设计统筹：纪玉洁展览设计：曹群、赵格空间设计：看好艺术设计主编 / 何一沙责编/ 杜隐珠
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: CAFAM公教活动回顾｜“小导览员”走进美术馆

2024-09-06

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: CAFAM Collections | Classic Reproduction, The Serene Beauty of Li Shutong's Half-Naked Woman

2024-09-03

Li Shutong was the earliest Chinese student who went to Japan to study art, and was the pioneer of modern Chinese art, creating a new chapter in the history of modern Chinese art. This work is a representative work of oil painting he created during his study in Japan, and is the only human body oil painting among the three surviving oil paintings of Li Shutong, which is of high artistic value and historical significance.>>>>Portrait of a Half-Naked Woman, Li Shutong, circa 1909, oil on canvas, 90.5x116cm, Collection of CAFA Art MuseumIn the painting, an oriental woman in her prime, half-naked, leaning on the back of a chair. Her eyes are slightly closed, her right hand is holding a fan, her left hand is hanging down on the side of the chair, and her long black hair is scattered on the soft cushion, as if she has already entered into a deep sleep. On the wooden platform on the right side of the picture stood a black vase, placing a blooming white flower. The whole painting is brightly colored, serene and beautiful. The oil painting technique used in the painting makes the skin texture clear and the characters vivid.The circulation experience of "Half-Naked Woman" also adds a unique story to the work. Half-naked Woman" has long been categorized as an anonymous Western oil painting in the library, until 2011, when our museum organized the collection, after a series of argumentation and research and scientific testing, restoration and other work, it was confirmed that this "Half-naked Woman" is the oil painting "Woman" by Li Shutong published in 1920 in the magazine "Aesthetic Education", and this masterpiece, which has been sealed up for a long time in the library, finally came back to the light of the day.>>>>Collection Of CAFA Art Museum——Modern Chinese ArtExhibition period: from July 23, 2024Exhibition Venue: Central Academy of Fine Arts Art Museum, 2nd Floor, Gallery BExhibition Specialty Lighting Sponsor:AKZUConsultant in architectural design of exhibition spaces:China Academy of Building ResearchChief Editor / He YishaEditor/ Du Yinzhu
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: Public Guided Tours at the Central Academy of Fine Arts (September 3 - September 8) | Volunteers Wanted

2024-09-02

In order to popularize and disseminate art more widely, the museum will provide the public with a volunteer public service of guided tours at regular intervals. Reservation is not required for this service. Visitors are requested to go on time and wait at the "public service guide sign" in front of the exhibition preface wall at the entrance of the corresponding exhibition hall.The Museum of Fine Arts continues to recruit volunteers for guided tours，Art enthusiasts and lecturers are welcome to join!Enrollment method(1) Click on "Read the original text" or visit the link: https://www.cafamuseum.org/gallery/volunteer, click on "Join Volunteer", fill out the "Central Academy of Fine Arts Please fill in the "Central Academy of Fine Arts Volunteer Enrollment Form" and indicate the position you would like to declare when you enroll;(2) Enrollment time: valid for a long time;Enrollment consultation time: Tuesday to Sunday 09:30-12:30 am 13:30-17:30 pm, enrollment consultation phone: 010-64771575;(3) those who wish to register through the network and other means, by the Central Academy of Fine Arts Art Museum audit qualified, unified to participate in interviews, interviews on merit, qualified persons to participate in pre-service training of volunteers. After training, assessment and qualified, will be able to officially become the Central Academy of Fine Arts Museum volunteers;(4) Volunteers have the right to apply for withdrawal from volunteer service. Applicants should inform the Ministry of Public Education one month in advance and return the volunteer documents in time.On displayCollection Of CAFA Art Museum——Modern Chinese ArtExhibition period: from July 23, 2024Exhibition Venue: Central Academy of Fine Arts Art Museum, 2nd Floor, Gallery B主编 / 何一沙责编 /杜隐珠
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: CAFAM Conversation Preview | Discussions from the Arts: Technology, Knowledge and Imagination

2024-08-30

“Blueprint Productive Force-- Future Sense In The Expression of Art”SeriesDiscussions from the Arts: Technology, Knowledge and ImaginationSponsor：CAFA Art MuseumsDialogue time: August 31 (Saturday) 14:00-16:00Venue: Conference Room, CAFA Art Museum This dialogue is one of the series activities of "Blueprint Productivity - The Expression of Future Sense in Art", which focuses on the anticipation and imagination of art on the construction of human civilization, and the feedback of artists' perception on the unknown boundaries and the future world. As one of the series of activities of this exhibition, the Dialogue will invite young and middle-aged scholars and artists with different academic backgrounds and research directions to discuss how artistic and literary creation can narrate and imagine social production, technological evolution and scientific knowledge from the perspectives of art history research, art theory, cultural research, media theory, science fiction creation, contemporary art, and so on.| Moderator |YiYueDeputy Director and curator of the Curatorial Research Department of the Art Museum of the Central Academy of Fine Arts. He has curated exhibitions in China and abroad, including "Blueprint Productivity: The Expression of Futuristic Sense in Art" (2024), "Holding the Pen for the Era--Wei Qimei's Centennial Birthday He has curated domestic and international contemporary art exhibitions including "Blueprint Productivity - Expression of Futurity in Art" (2024), "Holding the Pen for the Times - The Centennial of Wei Qimei's Birthday" (2023), "The Realm of the Void: Leandro Ehrlich" (2019), and other domestic and international contemporary art exhibitions.| Interlocutor |Che ZhixinD. in Chinese from Peking University, Boya Postdoctoral Fellow at the School of Journalism and Communication of Peking University, Visiting Scholar at the University of California, Berkeley, and Assistant Researcher at the Institute of Foreign Literature of Beijing Foreign Studies University. His research interests include media history, media theory and cultural studies.Ren DongmeiScience fiction researcher and critic. D. in Literature from Beijing Normal University. Now he is an associate researcher at the Taiwan Research Institute of the Chinese Academy of Social Sciences. He is a member of the Science Fiction Specialized Committee of the Chinese Science Writers Association and a member of the World Chinese Science Fiction Association. His monograph "Fantasy Culture and the Literary Image of Modern China", review "Comparison of the Image of Future China in Science Fiction of the Late Qing Dynasty and Republic of China", "Interpretation of The Beijing Folding from the Point of View of Science Fiction Realism", and "History of Twentieth-Century Chinese Science Fiction", which he co-authored with Wu Yan, etc., have won various prizes of the Nebula Award and the Nebula Prize. He has also won many awards for "Nebula Award" for "History of Chinese Science Fiction in the Twentieth Century".Xu ChongbaoHe is a researcher of Taikang Art Museum in Beijing, and a doctoral student at the School of Humanities, Central Academy of Fine Arts (Visual Culture Research). She has researched and curated nearly twenty exhibitions, including "In the Vault of Heaven: Jiang Zhaoho's Art Document Exhibition" (2024) and "Natural View: Art and Water Conservancy Project in the Seventeen Years" (2020). His research interests include cross-media practices, local paths and international exchanges of Chinese contemporary art since the 20th century.Zhang WenchaoArtist. He is currently a lecturer at the School of Design of the Central Academy of Fine Arts (CAFA) and a researcher at the Institute of Science and Technology Art of CAFA. His creations originate from human experience, behavior and imagination in the media environment. His works and projects involve images, interactive programs, datasets and algorithmic generative art, games and virtual worlds, and other art languages based on emerging technologies.Zhao YanAssociate Professor of the Central Academy of Fine Arts (CAFA), Master's Degree Tutor, and Editor of World Art Magazine. He is engaged in research on Western art history, art theory and contemporary art, and is also involved in contemporary art criticism practice and exhibition planning. He has published monographs, Surreal Art Criticism - André Breton and Surrealist Art (Hebei Fine Arts Publishing House, 2019), Plato's Vision - Imitation and Ancient Greek Art (Guangxi Fine Arts Press, 2018), and Lin Fengmian (Higher Education Press, 2017).Gan HaoyuHe graduated from the Central Academy of Fine Arts, the Sculpture Department of the Central Academy of Fine Arts, and the School of Design of the Central Academy of Fine Arts. The work "Sand Counting" is a solar-powered ceramic robot art installation using earthworms as bionic objects, utilizing natural materials, handmade craftsmanship, and combining the sun's concentrated light and robotics to explore a primitive and rough technological aesthetics.ParticipationNo need to register in advance for on-campus visitors, just show up and participate!For off-campus visitors, please scan the QR code below to make a reservation in advance.Ministry of Culture and Tourism 2024 National Art MuseumsYoung Curators Support Program Selected ProjectsBlueprint Productive Force-- Future Sense In The Expression of ArtOrganizer: Art Museum of the Central Academy of Fine ArtsExhibition Period: July 19 to September 1, 2024Venue: Gallery A, 3F, CAFA Art Museum 主编 / 何一沙责编 /杜隐珠
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: “Cultivating On The Earth -- CAFA Art Museum Collection Printmaking Exhibition" and "Meeting in Yangquan Playing in Tune--Printmaking Exhibition between Jin and Taiwan" Opened

2024-08-28

On August 22, “Cultivating On The Earth -- CAFA Art Museum Collection Printmaking Exhibition" and "Meeting in Yangquan Playing in Tune--Printmaking Exhibition between Jin and Taiwan" guided by the Liaison Department of the Central Committee of the Revolutionary Committee of the Chinese Kuomintang and sponsored by the Taiwan Affairs Office of Shanxi Province, the Shanxi Provincial Committee of the Revolutionary Committee of the Chinese Kuomintang and the Central Academy of Fine Arts was grandly opened at the Exhibition Hall (Art Museum) of Yangquan City, Shanxi Province.The opening ceremony was presided over by the vice mayor of Yangquan City, Mr. Juru Aiyun. Chen Jiguang, full-time vice-chairman of the Provincial Committee of the Democratic Revolution, member of the National Committee of the Chinese People's Political Consultative Conference (CPPCC), President of the Central Academy of Fine Arts, Lin Mao, the founding president of the Ten Youth Printmaking Association (Taiwan), Zhong Youhui, Yangquan Municipal Party Committee, Municipal Party Committee Secretary General, Minister of the United Front Work Department, Li Wenbing, respectively, delivered speeches; Yangquan Municipal Party Committee, deputy secretary of the Political and Legal Committee Secretary Shi Xuming announced the opening of the exhibition.Opening Ceremony SiteVice Mayor of Yangquan City, Mr. Jou Aiyun, presided over the opening ceremony.Speech by Chen Jiguang, Full-time Vice Chairman of the Provincial Committee of the Democratic Revolutionary PartyLin Mao, a member of the National Committee of the Chinese People's Political Consultative Conference and the president of the Central Academy of Fine Arts, delivered a speech.Speech by Mr. Chung You-hui, Founding President of Ten Green Printmaking Association (Taiwan)Speech by Li Wenbing, Member of the Standing Committee of Yangquan Municipal Committee, Secretary General of Municipal Committee and Minister of United Front Work DepartmentShi Xuming, Deputy Secretary of Yangquan Municipal Party Committee and Secretary of the Political and Legal Committee, announced the opening of the exhibitionGuests attending the opening ceremony included Hao Wenjie, Deputy Director of the Provincial Taiwan Affairs Office; Zhao Suqing, Deputy Chairman of the Shanxi Provincial Committee of the Democratic Revolution, Deputy Director of the Standing Committee of the Yangquan People's Congress and Chairman of the Yangquan Municipal Committee of the Democratic Revolution; Tan Guorong, Secretary General of the Shanxi Provincial Committee of the Democratic Revolution; Zhang Lijun, Vice Chairman of the CPPCC Yangquan Municipal Committee of Yangquan Municipal Committee of the Agricultural and Workers' Party of the People's Republic of China, Director of the Printmaking Committee of the Chinese Artists' Association, and Deputy Secretary of the CPC Committee of the Guangzhou Academy of Fine Arts Song Guangzhi, Deputy Director of the Printmaking Committee of the Chinese Artists Association and Deputy Party Secretary of the Tianjin Academy of Fine Arts Kou Jianghui, Vice President of Tianjin Academy of Fine Arts, Kong Liang, Director and Secretary of Printmaking Department of the Central Academy of Fine Arts, Wang Shu, Director of Development Planning Department of the Central Academy of Fine Arts, Han Wenchao, Secretary of the Immediate Party Branch of Art Museum of the Central Academy of Fine Arts, and Gao Gao, Deputy Director of the Central Academy of Fine Arts; in addition to the Museum of Fine Arts of the Central Academy of Fine Arts, the Department of Printmaking of the Central Academy of Fine Arts, and the Taiwan Federation of Youths, the Association of Cross-Strait Marriage and Family Exchanges of China, Taiwan, Shanxi University School of Fine Arts, Shanxi Democratic Revolution Zhongshan Painting and Calligraphy Academy of guests, as well as experts, scholars and artists in the printmaking industry from all over the country.Opening Ceremony Site"Cultivation on the earth" Central Academy of Fine Arts Museum Collection of printmaking special exhibition displayed a total of 90 pieces (sets) of 104 collection of fine prints. These works are from the four perspectives of "land, cultivation, construction and contemplation", which are the thoughts, feelings and creations of several generations of artists on the land. Inheriting the people's nature and epochal nature of emerging printmaking, and integrating lyricism and aesthetics into the narrative, they compose the ode to the motherland and people's life in the new era with romantic and poetic artistic language.Exhibition spaceCurator Li Yaochen gave an on-site guided tourDuring the same period of the exhibition, a symposium was held on "One Version, Different Performances", which is a cross-strait forum for the exchange of contemporary development trends of printmaking. The symposium was co-chaired by Li Yaochen, Director of the Collection Department of the Art Museum of the Central Academy of Fine Arts, and Zhang Tongyuan, Vice Dean of the School of Fine Arts of Shanxi University.Scene Of The SymposiumThe panelists were Kou Jianghui, Vice President of Tianjin Academy of Fine Arts, Song Guangzhi, Director of Printmaking Art Committee of China Artists Association, Kong Liang, Director and Secretary of Printmaking Department of Central Academy of Fine Arts, Gao Gao, Deputy Director of Art Museum of Central Academy of Fine Arts, Sha Yonghui, Director of Printmaking Institute of China National Academy of Painting, Luo Zhongwei, Member of Printmaking Art Committee of China Artists Association, and Wang Chao, Vice President and Deputy Secretary of Party Committee, School of Painting and Art of China Academy of Fine Arts, Wang Hua, Secretary of the International Printmaking Research Institute of the Central Academy of Fine Arts; Liu Caijun, Vice Chairman of the Shanxi Artists Association; Wang Yongsheng, Director of the Woodblock Studio of the Printmaking Department of the Academy of Fine Arts of Shanxi University; Qiao Bin, Director of the Printmaking Crafts Teaching and Research Department of the Datong Academy of Fine Arts of Shanxi Province; Wang Yusheng, a veteran artist of Yangquan Workers' Paintings in the seventies; Ma Jun, Deputy Director of the Cultural Center of Yangquan (Yangquan Academy of Fine Arts); Yue Xiaohong, Associate Professor of Fine Arts, Yangquan Teachers' Higher Colleges, Shanxi Province. Yue Xiaohong, Associate Professor of Fine Arts, and guests from Taiwan included Zhong Youhui, Founding President of Ten Green Printmaking Association (Taiwan), Liao Junli, Teacher of Printmaking Department, School of Plastic Arts, Sichuan Fine Arts Institute, Pan Jinrui, President of Ten Green Printmaking Association, Huang Yurwen, National Middle School Art Teacher, Huang Decheng, High School Art Teacher, and Zhong Yiyi, Doctoral Student of the Central Academy of Fine Arts, and so on.Zhang Tongyuan, Vice Dean of the School of Fine Arts, Shanxi University, and Li Yaochen, Director of the Collection Department of CAFA Art MuseumSymposium ParticipantsThe experts, scholars and exhibiting artists spoke and exchanged views on the history and current status of printmaking in Jin and Taiwan, as well as creative techniques, and discussed from their different perspectives, with a strong academic atmosphere. Academic exchanges are of far-reaching significance to the development of printmaking art, and at the same time, printmaking art has an important role to play in the promotion of social aesthetic cultivation and popularization of aesthetic education. As important organizers, Zhao Suqing, Vice Chairman of the Shanxi Provincial Committee of the Democratic Revolution, and Zhang Lijuan, Director of the Yangquan Taiwan, Hong Kong and Macao Affairs Office, also reviewed the exhibition and symposium from their respective perspectives, and looked forward to their significance. Finally, the moderator, Li Yaochen, made a concluding speech on the symposium and expressed his gratitude to the participating experts and audience.Scene Of The SymposiumGroup Photo of GuestsExhibition Working GroupExhibiton Director：Jin Jun, Han Wenchao, Kong LiangExhibiton Coordinator：Wang Chunchen, Gao Gao, Zhu JianlingCurator：Liu Xiyan, Li YaochenExhibiton Coordination：Wang Jing, Xu Xinchen, Wen JixiangExhibiton Assistant：Chen Guanshi, Sun XiaopingDesign Coordinator：Ji YujieExhibiton Design：Jia Da DesignExhibiton Management：Wu Peng, Guo Zhongwei, Guo ZichaoCollection Management：Xu Yan, Wang Chunling, Ma Liang, Cui Ranran, Dou Tianwei, Li WeiMedia Publicity：He YIsha, Wu Jing, Du YinzhuChief Editor / He YishaEditor / Du Yinzhu
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: Volunteer Guided Tour Arrangement of CAFA Art Museum (August 27th-September 1st)｜Volunteer Recruitment is Ongoing

2024-08-28

In order to popularize and disseminate art more widely, the museum will provide the public with a volunteer public service of guided tours at regular intervals. Reservation is not required for this service. Visitors are requested to go on time and wait at the "public service guide sign" in front of the exhibition preface wall at the entrance of the corresponding exhibition hall.美术馆导览志愿者持续招募中，欢迎广大艺术爱好者、讲解爱好者加入！报名方式（1）点击“阅读原文”或访问链接：https://www.cafamuseum.org/gallery/volunteer，点击“加入志愿者”，填写《中央美术学院美术馆志愿者报名表》，报名时请注明申报岗位；（2）报名时间：长期有效；报名咨询时间：每周二至周日上午09：30—12：30 下午13：30—17：30，报名咨询电话：010-64771575；（3）有意愿者通过网络报名等方式，经中央美术学院美术馆审核合格后，统一参加面试，面试择优录用，合格者参加志愿者岗前培训。经培训、考核合格后，将能正式成为中央美术学院美术馆志愿者；（4）志愿者有申请退出志愿服务的权利。申请者应提前一个月告知公共教育部并及时交还志愿者证件。正在展出那是光照进来的地方：斯特凡·杰罗夫斯基的艺术（1925-2022）展览时间：2024年7月10日至9月1日展览地点：中央美术学院美术馆四层展厅蓝图生产力——未来感在艺术中的表达展览时间：2024年7月19日至9月1日展览地点：中央美术学院美术馆三层A展厅中央美术学院美术馆藏陈列——现代中国美术展览时间：2024年7月23日起展览地点：中央美术学院美术馆二层B展厅主编 / 何一沙责编 /杜隐珠
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: CAFAM Upcoming Events | Exhibition as a Mode of Production: Dialogue between Young Curators of Art Museums

2024-08-27

“蓝图生产力——未来感在艺术中的表达”系列活动展览作为生产方式：美术馆青年策展人对谈活动主办：中央美术学院美术馆活动时间：8月30日（周五）14:00-17:00活动地点：中央美术学院美术馆会议室美术馆策展人是为美术馆学术建设而进行展览策划等工作。在梳理、整合、建构和呈现的循环中，展览不仅被视为阶段性的成果，更是作为生产方式推动一次又一次的学术积累，由此构成美术馆学术体系的年轮。在此过程中，美术馆策展人最为重要的任务之一是，将原有学术积累引向更为多样的研究方向，并再转化为不断出新且多面貌的展览。本次对谈是“蓝图生产力——未来感在艺术中的表达”系列活动之一，展览旨在以策展推进美术馆过往学术积累的转化和馆藏作品的研究。对谈将邀请多位美术馆的青年策展人，从其所在美术馆的机构定位、学术方向、藏品情况和展览序列等出发，以具体的案例、方法和策略回应“展览作为生产方式”这一主题，不仅是为发生在美术馆的策展工作提供可借鉴的有效实践，更为重要的是针对所面对的共同问题拓展可行的路径。| 学术召集人 |靳军教授、博士生导师，中央美术学院美术馆馆长| 评议人 |高敬中华世纪坛艺术馆策划总监，中国美术家协会策展委员会办公室主任| 主持人 |刘希言副研究员，中央美术学院美术馆策划研究部主任| 青年策展人 |张楠北京画院理论研究部副研究员，北京美术家协会策展委员会副秘书长易玥中央美术学院美术馆策划研究部副主任李颖天津美术馆副馆长谢蕊江苏省美术馆展览策划与研究部策展人张卓然安徽省美术馆展览部策展人刘自川江西省美术馆展览部策展人张士昊宁夏美术馆策展人参与方式校内观众无需报名或提前预约，到场参与即可校外观众请扫描以下二维码，提前预约入校文化和旅游部2024年全国美术馆青年策展人扶持计划入选项目蓝图生产力——未来感在艺术中的表达主办：中央美术学院美术馆展览时间：2024年7月19日至9月1日展览地点：中央美术学院美术馆3层A展厅主编 / 何一沙责编/ 杜隐珠
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: 公众招募 | CAFAM馆藏陈列之“Flowers of the Times--Blend of Artistic Languages Between China and the West” Work

2024-08-23

2024年7月23日，中央美术学院美术馆正式推出馆藏长期陈列，“现代中国美术”以200余件馆藏经典作品呈现20世纪中国美术史发展的重要时期。在社会巨变、思想碰撞激烈的时代背景下，艺术家以包容的心态兼收并蓄，找寻到属于自己的艺术旷野，或充满张力振奋人心、或新颖脱俗、或充满生活细节动人心弦。为深化公众对展览的理解与体验，我们将于8月24日举办一场别开生面的工作坊活动，参与者不仅能近距离观赏这些艺术珍品，更将有机会在专业导师的引导下，通过互动讨论、艺术创作实践等形式，深入挖掘作品背后的故事与情感，感受艺术家们如何在社会巨变的洪流中，坚守艺术初心的优秀品质。工作坊简介《半裸女像李叔同》约1909年布面油彩 116x90.5厘米中央美术学院美术馆藏《怒吼吧，中国》李桦 1935年黑白木刻 27.5×18.7cm 中央美术学院美术馆藏《立马》徐悲鸿 1947年纸本水墨 109x53.3cm 中央美术学院美术馆藏中西艺术语言的碰撞，会开出怎样的花，是“叛逆”的人体写生？是继往开来的中国画？是铿锵有力的版画？这条路他们走的很冒险，但是异彩纷呈。本次课程导师将带领大家走进展览作品的“细节”，体会中西绘画艺术语言的独特魅力，围绕“中西艺术语言的交融”，从跨媒介、跨题材、跨形式的角度创作兼具中西艺术语言特色的作品。工作坊报名工作坊时间：8月25日（周日）14:00-16:00工作坊地点：美术馆展厅及会议室招募对象：18岁以上成人招募人数：15人报名方式：请添加微信13910187193（姚老师），标注“工作坊+真实姓名+电话+职业”发送申请，名额有限，报满为止。报名成功后，将收到微信回复。请勿重复提交报名。注：1.工作坊全程免费参与。2.活动最终解释权归中央美术学院美术馆所有。工作坊导师丘梦凡中央美术学院人文学院艺术学理论专业在读研究生。研究方向为中国古代书画史与鉴定研究。曾参与嘉德藏书的风雅展览讲解、故宫乾隆花园修复活动。主编 / 何一沙责编 / 杜隐珠
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CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

CAFA Art Museum Event Safety Disclaimer

Article I

Article II

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Article V

Article VI

CAFA Art Museum Portraiture Rights Licensing Agreement

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

CAFA Art Museum Event Safety Disclaimer

Article I

Article II

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Article V

Article VI

CAFA Art Museum Portraiture Rights Licensing Agreement

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

I have carefully read and agree to the above provisions.