Exhibitions and Events-News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

Adult Workshop | Tracing Han Portrait - Study of Subtractions in Hard Materials

2019-06-14

 About the Workshop The 2019 CAFA Undergraduate Students’ Graduate Artwork Exhibition is underway in the CAFA Art Museum. The museum's Public Education Department has designed a series of activities based on this exhibition. This weekend, we will present an adult workshop about Han Portrait Stone, inviting a graduating student to guide us through his work, the Han Portrait Stone, and art and culture of Han Dynasty. Han Portrait Stone is color-painted, carved or imprinted bricks used in architectural works. With a variety of forms, patterns and themes, they deeply reflect the social customs and aesthetics of Han Dynasty, and are a milestone of Chinese art history. The Han Portrait Stones are one of the most important image archives of Han Dynasty. There is a huge number of them left till today, all of great artistic value, ancient but fresh elements, and a great potential in visual art development and application. Han Dynasty was a time when feudalism was progressing in China, thus Han paintings contain an inherent youthful, free, innovative and magnificent spirit.Let's travel back through time to the Han Dynasty this Saturday, to study together the ancient Chinese social life and art development, and complete a great work of art of our own. (Photo from Internet)(Figures carved in relief, photo from Internet)(Han Portrait Stone, Photo from Internet) Join the Workshop Time: Jun 15 (Sat) 14:00 - 16:00Venue: CAFAM VIP LoungeParticipants: Adults (above 18)How to Join: Please click on the “Reserve Now” button on top of this page, and fill in the Adult Public Education Reservation Form to complete your reservation. You will receive an SMS text message once your reservation is successful. Please do not re-submit your reservation.Note:1) The workshop is free of charge.2) Please gather and sign in at the first floor of CAFA Art Museum on time. We will take the participants to the venue together.3) CAFAM reserves the right for final explanation. About the Work When the artist was rendering Mongols in his work, the vitality of these figures and their posture and facial features are the key in his presentation with wood carving. Wood contains the temporature of life and the record of time. Time leaves traces on wood, and so do life's traces. Using wood as the carving material, the weight of life can be well expressed. In addition, the austerity and straightforwardness of wood carvings could match the quality of my work. Its flexibility also allowed me to create the statues more freely, to do substractions, to keep the inflated quality of sculpture while remaining the space to split and join freely, increasing possibilities in forms and presenting the interesting character unique to wood carvings.The link between relief and wood carvings is that they are both doing substractions. While the former compresses round carvings in equal proportion, or increases the painterly nature of it by composing points, lines and planes, the latter, despite of being round carvings, applies techniques of relief carving. Both embrace the core of induction and reorganization of plastic art.  About the Tutors  Ning BoBorn in Ulanqab, Inner Mongolia. Studied at Department of Sculpture, CAFA from 2014 to 2019.Tutors: Sun Jiabo, Wang Wei, Mu Boyan, Li Zhan Wang WanqiIntern at Department of Public Education, CAFA Art MuseumShe has planned news conferences for Tencent Games, Garden Expo's theme song, and fashion show for famous apparel brand. Luo JiaxinIntern at Department of Public Education, CAFA Art MuseumSenior student of Art History, BA at Syracuse University
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How Does Participatory Art Function in Museum Learning: Case Study of M+ Rover

2019-05-29

M+ Rover defies a definition, rather it sits between a workshop, exhibition and an artwork - a transformative process where the artists, participants, schools, communities and organizers together rehearse and redevelop the work while building trusting relationships.
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Adult Workshop | The Tang Dynasty Statues’ Experimental Expression and Interpretation

2019-05-24

Time: May 25 (Sat) 10:00-12:00
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Graduation Season Salon | Perspective - Basic Principles of Looking at Visual Art

2019-05-22

Time: May 24 (Fri) 18:00 - 20:00
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Workshop | Contemporary Experimental Family Education: Food and Sex

2019-05-22

Time: May 25 (Sat) 18:00 - 20:00
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The Art in Colleges: Trend and Future

2019-05-22

Public or private, rural or urban, there’s a trend among college museums to popularize campus art, while tackling ambitious projects that promote the once insular academic curators to the front stage.
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Stay Tuned to Anish Kapoor’s First Double Solo Exhibition in China this Autumn

2019-05-21

As one of the world’s most influential artists, Anish Kapoor is invited to hold a double solo exhibition at CAFA Art Museum and the Imperial Ancestral Temple Art Museum in Beijing in Autumn 2019. This will be the first large-scale solo exhibition of this prestigious British artist in China.
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CAFAM Lecture Info︱Time of Non-Reality

2019-05-21

Leonardo Art, Science and Technology Lecture SeriesTime of Non-Reality Speaker: George LegradyDate: 23.05.2019 ThursdayTime: 18:30-20:00Language: English (with Chinese translation)Venue: CAFA Art MuseumCo-organized by CAFA Visual Art Innovation Institute,CAFA Center for Art and Technology, CAFA Art Museum, Chronus Art Center In collaboration with Leonardo / ISAST About the Lecture The lecture “Time of Non-Reality” looks at the origin of the digital and the entanglements of the incorporeal, matter and noise. Furthermore it zooms into contemporary and ancient technologies in order to propose new hybrids of computing and magical thinking. The lecture alternates between theoretical excursion and practical examples of Ralf Baecker’s own artistic practice. About the Speaker Ralf Baecker  is an artist working at the interface of art, science and technology. Through installations and machines, Baecker explores fundamental mechanisms of new media and technologies. In his representations and specializations of digital and technological processes he offers a poetic sight behind the surfaces of contemporary image making.Baecker has been awarded multiple prizes and grants for his artistic work, including the grand prize of the Japan Media Art Festival in 2017, an honorary mention at the Prix Ars Electronica in 2012 and 2014, the second prize at the VIDA 14.0 Art & Artificial Life Award in Madrid and the stipend of the Graduate School for the Arts from the University of the Arts in Berlin. His work has been presented in international festivals and exhibitions, such as the International Triennial of New Media Art 2014 in Beijing, Künstlerhaus Wien, ZKM in Karlsruhe, Martin-Gropius-Bau in Berlin, WINZAVOD Center for Contemporary Art in Moscow, Laboral Centro de Arte in Gijon, Centre de Cultura Contemporània de Barcelona (CCCB) and NTT InterCommunication Center in Tokyo.Since 2016 he teaches at the University of the Arts Bremen as Professor for Experimental Design of New Technologies. MIRAGE (2014)aluminium profile, custom electronics, muscle wires, line laser module, flux-gate magnetometerIRRATIONAL COMPUTING (2011)Silicon carbode, quarz, galena, rochelle salt, acylic glass, custom electronics 
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Children’s Workshop | Spot the Differences in Virgin of the Rocks

2019-05-17

Time: May 19 (Sun) 14:00-16:00
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Workshop丨Theories and History: Where Will Visual Art Go?

2019-05-16

 Remapping Reality: Selected Video Collection from Wang Bing  Visual Workshop Theories and History: Where Will Visual Art Go?2019.5.18 (Sat) 9:30-18:00Co-organized by New Century Art Foundation and CAFA Art Museum.Special thanks to OCAT Shanghai.Venue: Lecture Hall, CAFA Art MuseumIn the 1960s when video art was emerging, it was also the time of exploding theories, especially in the areas of French structuralism, post-structuralism and psychoanalysis. As an anti-mainstream yet mainstream discourse, it was of utter influence on both contemporary art critism, writing and artist practices. Theories of Foucault, Deleuze, Barthes and other thinkers used to direct us into contemporary visual art. In their eyes, image is a philosophical experiment, while their own writings are themselves a piece of image installation. However, in recent years, it seems that theories are fading out from contemporary visual art scene, or in other words, theories themselves are facing new crises and challenges. Meanwhile, archives, literature and historical anthropology have become the new source and language, or have transformed into a new theoretical discourse. This has become a phenomenon and problem for today's visual practices and visual art writing and critism. Although there have been quite a few researches and discussions on this issue, we would like to further the discussion by the chance of the Remapping Reality exhibition. Schedule 9:30-10:00 Presenter: Lu Mingjun (Associate Professor at Arts College of Sichuan University, Curator)Speeches: Wang Bing (Founder of New Century Art Foundation), Song Xiaoxia (Professor at School of Humanities, CAFA)Exhibition Introduction: Sun Dongdong (Curator) 10:00-12:00 Part I: Image and TheoriesPresenter: Song Xiaoxia (Professor at School of Humanities, CAFA)Guest: Li Yang (Professor at School of Art, Peking University), Yang Kailin (Professor at School of Fine Arts, Taipei University of the Arts), Wu Ming (Associate Professor at School of Communication, East China Normal University), Wang Huan (Art critic, Curator) 14:00-15:30 Special Projection and DialogueWorks: Wang Tuo, "Smoke and Fire" (2019), Hu Wei, "Proposal for Public Assembly/Encounter" (2019)Presenter: Yang Beichen (Lecturer at Central Academy of Drama, Editor at Art Forum China)15:45-18:00 Part II: Image and HistoryPresenter: Li Yang (Professor at School of Art, Peking University)Guests: Wang Min'an (Tsinghua University), Kao Jun-Honn (Artist, Parttime Professor at Taipei University of the Arts), Wu Yiqiang (Lecturer at Guangzhou Academy of Fine Arts), Wang Jianwei (Artist)
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Child Public Education Reservation Form

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Adult Public Education Event Reservation Form

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Group Public Education Event Reservation Form

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Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

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